Short Stories
Curdled - April
I.
Mid-week on the Bakerloo. It's always Bakerloo. My life is Bakerloo. My wife and kids are Bakerloo.
Evening rush. Commuting home. There was something feral about it. Given I'm old, my back cracks and my knees are fucked, a young lady gratefully surrendered her seat to me. I like sitting on the tube, as it allows me to indulge in people-watching. I can usually tell a hare from a harlot. The mosaic around me was frigid, though. Glacial. It was a tight carriage, yet through the reams of bags and coats, I glimpsed a face -- one etched out of time, as, for a moment, I saw the glimmer of a young lad amid its deep-set wrinkles. It was the face of Barry Flanders.
I know Barry Flanders -- well, knew him. We went to St. Paul's Catholic Primary School together. Always struck me as a particularly reserved lad, though he did have a... Penchant for the meekly sinister. In a memory as rich as the taste of dairy, Barry had been assigned milk-monitor for our class. They always gave the div-kid with webbed feet and three eyes the milk-monitor role. Like a consolation prize, though I always saw it as offering yourself up as a pinata of sorts. I digress. Anyway, it came to milk time -- and Barry got up, with his tray, and valiantly delivered cartons of skimmed, unskimmed, organic, whatever-other-dairy-alternative-shite-milk you can think of, around the class. He came to me. Now, I must tell you, earlier that day, during an unusually heated game of dodgeball, I did -- accidentally, mind -- throw a ball particularly hard into Barry's cock-and-bollocks. The lad remembered the contours of my face, saw the pitiful plea for mercy in my eyes, and took pleasure in it. He made a great point to look away from me, clutching my milk, before moving onto Johnny Fish. I did not get my milk that day, nor for the next several weeks.
From then on, I hated him. I've always hated him. On that carriage, with him sat across, the hatred burned still. I've carried around in my heart the grudge over the milk-monitor madness, my dairy drought, my entire adult life. Never did I realise, until seeing him there, on the Bakerloo -- deflated, collapsed, with his mile-high box of self-published books -- that I had carried a hatred for a man not deserving it. No, to hate a man is to implicitly reveal he has value. Rugged indifference is a nobler steed, and -- as a nod to our Catholic education -- I decided to forgive Barry, for God seemed to have judged him enough. That being said, I'm sure I lost an inch or two in height due to his lactose lunacy. The train pulled into my stop, but as I got off -- so did he. Knowing these stations like my own intestines, I made a B-line for the quickest exit to avoid him.
Outside on the asphalt was no better than being underground. There was ambling noise and loud people. I puffed away at a Marlboro Gold, as I had given myself just enough time between the station and my house so the smoke-smell could evaporate off me. It was my birthday. Karen would surely have done something for when I got back, and I didn't need a lecture on tobacco at fifty-six. Jesus. Six more than I wanted, and still a ways to go. My Marlboro was close to the filter, and I thought how free the frittered flakes of ash felt. I wondered what the plan was. A birthday-suit humdinger? Or, a trip to Woking Pizza Express with the kids? Kids. They're in university now -- Scarlett probably didn't know what day of the week it was, and Jonah was off in Namibia teaching a village how to build an Amazon dispatch centre.
I was sure it would be Woking, and I was sure it would be shit. I'd probably order the doughballs.
II.
Stairs. Endless stairs up to the apartment. But, it is an apartment. Not a flat. I had to climb those steps every day that week, as Miss Fencer had shat herself in the lift a fortnight prior and the stench was still there. Got to my floor, breathless, with knackered knees. Took out my keys, rattled them into the door, turned the handle, gently pushed on inside--
"SURPRISE!"
A room brimmed with my past -- Karen, the kids, prim and proper for once, and there was John, Kate, Ricky, Quince, Paper Patrick, Chris and Kate from HR (was good to see them in a setting that had nothing to do with the words 'sensitivity training'!), mates, pals, acquaintances, Johnny Fish! There were so many people, I couldn't even see through to the John Lewis carpet that I spent a fucking fortune on. In truth, I lit up -- Karen approached, arms wide with a glass of champagne, kissed me -- God, it was like being twenty again. My kids embraced me! For once!
"Scarlett! You made it out of bed!" I said, the first unrehearsed words of the day.
"My therapist said it'll help me deal with my internalised day trauma."
"That's great, kitten, whatever the fuck that means. Jonah! When did you get back from Namibia?" I took the glass from Karen, kissed her on the cheek.
"Last night, Dad. Goin' back tomorrow to teach those little'uns how to efficiently raise induct rates--"
"Sure, son!"
As I tightened my arms around the family huddle, I scanned the smiling faces -- the clapping hands. Karen whispered, gentle, into my ear:
"Recognise everyone?"
Squinting, I took another survey -- Harry, Chris 2 from Accounts, and... Something cold took hold.
It was Barry Flanders. And he brought his fucking box! Claire from Acquisitions was flipping through one of his books, at MY surprise birthday party! Someone put an "Old but Gold" playlist with hits from the 80s on, so Spandau Ballet smoothed me enough to avoid a face of fury.
Having grunted a response back at Karen, I realised she didn't deserve my indignity. Quick but tender, I kissed her on the forehead -- and made the rounds.
"How's the wife?"
"How's the hand?"
"How's the kids?"
"What're you up to these days?"
"Have you tried calisthenics?"
"Divorced, free -- ready to fuck."
"Yeah, but Donovan's got behaviour problems."
"Cancer. He won't see three months."
"Jesus, does he know how obvious that wig is?"
"She's a fighter."
"Always remembered you a little slimmer!"
"Carrie's meeting those Q2 projections, yeah--"
"God, Jeff is such a twat."
"So, with my legs akimbo, vagging out--"
"Child support. Can you believe that bollocks?"
Delirium. Some were happy, some were not. Some were drunk, some were recovering alcoholics. Some were upside-down and some were sideways. Between them I knew everything and nothing. Plaster people -- thin decorations for a bare interior, hung on fifty-six-year-old-walls, covering claw marks in the greased paint. At least I avoided Barry.
Somewhere: din-din-din. Spoon against glass. All eyes drew to Karen. She smiled in Dulux White, pointed a Glitterbels nail right at me -- though, for a moment, I didn't feel like I was really there.
A bit pissed and a bit dazed, I joined my wife before the madding crowd.
"Thank you all so much for coming to George's fifty-sixth. I'm sure it means the world to him!"
It didn't, but I smiled along.
"Now, for the moment I'm sure you've all been waiting for... The cake."
There was cake! I didn't know there was cake, and as I've been letting myself go since my mid-40s I couldn't have been happier. Jonah and Scarlett wheeled out a large Victoria sponge -- the most labour I've ever seen them perform. At this moment, it dawned on me that Woking Pizza Express would have been better.
They sang. Candles were lit. Eager faces and oval eyes awaited me to blow them out. To cast a wish along the wisps and into the aether. What else could a man want at fifty-six?
Embarrassed, my cheeks hot -- I blew. At the moment the little orange flames collapsed into nothing, so did the party. Everyone vanished into thin air. It was me, the cake...
And Barry. His teeny eyes skittered about in shock and awe, his lean frame shuddering like an animal. I cut the cake, and ate the entire thing in front of him.
Do Not Touch - March
The Leper-Messiah - February
Every weekend for sixteen years, Pierre Le Fou sat outside a cafe by Gate 43 in Charles de Gaulle airport. He passed through to the gates with a 4:25 flight to Vienna, which he never boarded. For two hours, Le Fou would read at the terminal cafe, smoke Gitanes, order coffee with rolls. After he watched his plane depart, Le Fou -- on foot -- took his leave. Le Fou was as astute as he was beguiling.
Despite ritual punctuality, he was a languid man -- draped over the plastic chairs, only exerted the slightest effort to turn the page of some obscure newspaper.
Nothing about Le Fou, other than his flagrant waste of money, struck anyone as particularly odd. Though, as his little ritual became known, Le Fou became an urban legend around the liminal corridors of de Gaulle. Soon, the culture vultures descended upon him.
I was one such journalist. Pierre had rebuffed several others -- an American, sniffing around for an al-Qaeda connection (this was around 9/11, mind), and a South Korean, who wanted to do a profile on Le Fou for a popular series on Westerners back home. Over the years, the one question people ask me at dinner parties, weddings, funerals, on the street, my niece's Christening, is:
Why me? My honest answer is what Le Fou told me. "I like the English". He would never surrender further elucidation, as he was often and annoyingly prone to do. I lived in Bagnolet at the time, sur la rue de Victor Hugo. A tiny flat, but one that I could afford with my wages as a young foreign correspondent. It was a Saturday. The paper paid for my ticket -- a quick flight to Brussels -- and I went to find the cafe by Gate 43. Lo and behold, le petit Pierre Le Fou! One leg hung lazy over the other, beady eyes under heavy shades scrolled a paper, a thin scarf curled over the open collar of a salmon pink Polo. Even the cut of his checkered trousers sold the dream. The Platonic Le Fou, alive in the flesh -- the embodiment of a bizarre and eccentric Frenchman.
I introduced myself to Le Fou as Tom Fleischer. Now, dear reader, I am Tom Fleischer. But, as I said it to him, the syllables fell out alien and wrong. As if mon nom were from a foreign, inscrutable language.
Le Fou tolerated my French. I began my whole spiel; why I was there, who I was, how I wanted the article to be, et cetera. Le Fou nodded along. Like many well-educated Europeans, I could tell Pierre was assessing my Anglican nature against my continental education. A panic-swept red rashed over my face. Dearly, I wished to impress him.
He was Pierre Le Fou! Enigma! Why does he pay for planes he never boards? Why Austria? Why this time -- this cafe? I had too many questions -- everybody did -- but, before I could hit him with any of them, Le Fou had one for me.
With the tender but firm touch of an older man, Le Fou held my wrist. Through thick lime-green lenses, I saw two eyes that had either seen God or would soon. A bare terror in them. Thick, bloodshot eyes -- contorted around naked pupils. The man was in agony. He asked me something I won't forget.
"Do you know the story of the Leper-Messiah?"
I didn't. I was honest.
Le Fou recalled the tale:
"Atop a jagged mountain in the Empire of Glass, reigned the Opaque King. His blue-fire eyes haunted across the annals of his dominion. Desolate spikes of crystal shards erupted out across the land, conquered even the horizon. A most beautiful wasteland, where ice waterfalls glitter like diamonds in the harsh burn of an electric sun. His reign was one of peace, yet there is always peace when not even a blade of grass may prosper. Toward the twilight of life, the Opaque King was tormented by nightly visions. Doves and flames. Churned earth, molten rock. Saplings, corpses, the moon. One night, the King wept. His tears were heard around the lonely valleys, the vacant foothills. Drew forth a solitary stranger. The stranger forged over the sharp slopes, the dagger steps, battled the nights to the tall mountain. And he climbed. Heaved through all hours, tightened and clenched through pain, exhaustion and rain - if it were a mound, the stranger's pure will would have flattened it alone. The mountain stood no chance.
Once at the crest of the sky, the stranger emerged to the frail old King. Asked what he could do to serve him. There was only one request for the stranger to fulfill. As of late, the King's visions were intolerable. With each slip into slumber, the Opaque King was gripped by the dreams of a life not lived, places seen but not found, the orange glow of brickwork in summer -- the King's world was slipping away. He was slipping away. Taken under by the vast tidal waves of time.
For years, the King sought solace among the stars above -- but their playful pattern only made his eyes fools for their impermanence. Thus, the stranger was instructed to seek the one woman who could help the Opaque King, A mystic, known only in legend as the Leper-Messiah. She lived in an alcove of a great rock, somewhere in the now lost region of the Scarlet Divide. Ask her advice, and report back to the King, were the stranger's orders.
As failure was sacrilege, the stranger embarked upon this great voyage. A joyful spirit winded behind the stranger, as his path bounced with purpose. The sun set on his nascent life, and he turned in at the bottom of a quiet lake. A small fire crackled as he slept, calm waves lapped against numb pebbles, and the gentle moon perturbed ripples on the water. The next day, the next week, the next month -- the stranger walked.
His thighs hauled like bison, blood-pumped locomotives along an ordained odyssey. Soon, the stranger would pierce the eclipse of the Empire of Glass, unto the Scorch Fields and Bad Lands.
Cutting winds gave way to overcast mugginess, then the turgid warmth of a dry heat. The stranger, finally, came upon the Scarlet Divide. A megalithic canyon, high and wide -- cliff faces of red rock bore the markings of an ancient ocean, and turquoise sapphires glinted in rough brown soil. The stranger was a virgin to the Scarlet Divide, but it forced no awe into his heart -- for he foresaw him here, on this precipice, before one foot was laid in accordance to this journey.
Down into the maw, the stranger waded through a clear little stream -- an offshoot from one of the canyon's main water arteries. Through the water, the stranger came to a damp, dark cave.
Its teething entrance broke way into a waterlogged enclave with leering spires of rock and moss. The stranger shifted his body in the water, almost weightless against its soft push and pull. Sunlight, coming in through the mouth, ricocheted off the water in bright arcs across the cave walls. The permanence of its earthy visage lit up in a joy so transcendent, its name has been lost to time -- now, gratefully witnessed by the wanderer. Forward, he was carried by the sways of the current, toward the darker depths.
The dance of light and water slashed over the face of the Leper-Messiah. She slumped, half-alive in grotesque death, before the wanderer. Once blonde hair had braided into wet, heavy knots that dangled to the side of an oblique neck. Hung was a taut face of bare and yellow teeth, but the eyes still held a vivid youth. She was alive, and her appearance startled not the wanderer -- for she was the Leper-Messiah.
A messiah is neither strong nor alive, in some sense. The wanderer reasoned that to be wreathed in pain is to be crowned in glory. The Leper-Messiah struck the wanderer, above all, as in a great and terrible pain. One that was so buried, indescribable and infinite as to constitute beauty. The light danced over greyed skin, and something dripped into the water.
Finally, she spoke. An ancient language -- Hebrew -- for which the wanderer knew not, yet now understood in its totality.
'Do you know the story of the Akedah?
The smallest kindling may start the biggest fires. Isaac carried the wood. Abraham lit the flame. It was a modest camp, nestled along a caravan path in Canaan. Nightfall had settled over Mount Moriah, and the plains lay open and quiet. Darkness gathered at the blurred edge of the fire. In that hollow glow, Abraham and Isaac were at rest. The locusts sang.
A nubile mind floats on easy -- Isaac was quick asleep, wrapped in fur. Abraham watched over the boy, amid the flicker of flame. The boy seemed as new to him as the day he was born. Abraham held Isaac, in his leathery palms, as a newborn -- reaching and stretching, a dove ready to fly. He could soar, still, to the heavens and back! Live out his days of love and misadventure, harden with grief and mature in wisdom. Isaac could have a life, still, but -- it wasn't to be. Never was.
As Isaac dreamed of fireflies and lilypads, Abraham craned his neck -- above, constellations hung in their infinite majesty. Orion pointed to Egypt in the southwest, the Archer aimed at Babylon and Mesopotamia in the East. Mighty men tremble beneath the stars. Why, why now, should Abraham tremble in his conviction? His faith? Question his certainty? He was a mere man, in covenant with the Lord. That was the beginning and the end of it, the contours of his service and now his life. He interrogated himself. He was a servant. But, a father, no less.
His Lord wanted Isaac's blood. This rose-cheeked cherub, asleep by a waning fire, was to be slain the following day. Abraham carried the knife. Isaac carried the wood.
Disquiet, Abraham fought terrors of the mind, vanquished them -- slept. A brief armistice.
Dawn hailed the drum beat of destiny. Abraham and Isaac climbed atop Mount Moriah. The sun was low, rising -- long shadows swept across the barren plains below. Harsh desert winds curled dust into storms, lashed out.
Abraham's God was a righteous God. He was sure of it, though an undercurrent of instability remained. If his God were a righteous God, then following His orders would be a righteous act. Abraham had to weight that, as a mortal man, he could have no conception of reality's divine ordinances. Sacrificing Isaac -- could -- be righteously part of this cosmic grand design. Thus, Abraham erected the altar -- and Isaac carried the wood. It was done.
As he fought every fibre of being, Abraham turned on Isaac. The boy struggled, fought in desperation, but Abraham bound him no less.
Abraham's God was a righteous God. Isaac squirmed upon the altar. Abraham raised the knife.
Sandstorms raged below.
He was poised to plunge. Abraham's body felt no longer his own -- animated by higher purpose. Muscles solidified in electric fervor, ligaments tightened his wrists around the blade -- Isaac screamed, cried, begged --
The knife arced back -- an angel. Luminous. Spherical. Indescribable. Appeared to Abraham. It didn't use words for it needn't. He understood. Abraham relaxed, relented -- Isaac's breathing slowed, eased. As Abraham stepped away, a ram ran through the bushes -- stopped and stared at the two.
Abraham freed Isaac. They embraced, and sacrificed the ram together. Abraham's God was a righteous God.'
The cave was quiet. The seeker hadn't asked his question, but the Leper-Messiah had already answered it. With a silent nod, he left. For many months, the seeker traced his journey across the Ocean Ring and the Homonculi Boneyards. Soon, with a worldview deepened yet humbled by experience, the seeker returned to the Empire of Glass. Again, he climbed atop the jagged mountain. This time, though, the tumultuous hike was exuberant. The seeker was propelled with a holy imperative -- to enlighten the Opaque King.
As the seeker reached the mountain's zenith, he collapsed in shock. A small grave. The Opaque King had died just days following the seeker's departure. With no heirs, the Empire of Glass died with him. Bereft, the seeker crystallised in his mind a new purpose: to carry on as a nomad -- toward the uncharted isles north."
Pierre Le Fou blinked at me, blank. My mind had been lost right around the ice waterfalls.
"Tom? Were you listening?"
I snapped back to de Gaulle, the cafe, Gate 43. Answered Le Fou in the affirmative.
"Good. Now. I ask one simple question. Are you the seeker, or the King?"
Dear reader, I did not have an answer to Pierre's question. I still don't. He dropped it, and we chatted over coffee and pastry. It was nice. Bizarre. Not forthcoming. But, nice. In 2006 and 2011, I did two follow-up interviews with Le Fou. Both at de Gaulle, at the cafe near Gate 43. Around Christmas, 2014, Le Fou got sick. We kept in touch. But, we knew it was terminal. In 2016, I got a phone call from Le Fou. Since I first met him, I had a wife and two children. A career. Left a flat in Bagnolet for a townhouse in Camden. Yet, I still wanted to impress him -- like an eager student.
I knew, I just knew, that this would be my last phone call with Pierre. Our last conversation. It was.
I asked him:
"Are you afraid of dying?"
"No."
"Why not?"
"Because I know that plane will reach its destination."
Ceramic rims so thin, air could break them. The bowls and the cups, the plates and the silverware, spread orderly and sparse. Arranged at the behest of the exhibition's curator, Takeshi Aizawa, Japan House longed to display the refinement of the Rising Sun's craftsmanship. Refined they were, for the exhibit was popular. Monkish crowds doted and peered, studied the simple lines, the clarity in the curves, the distillation of will. It was a marvel. Ranged from the Kamakura period to the Showa.
Everyday tools turned sacramental under low lights and minimal decor. Japan House stood as a cathedral, with these delicate testaments to tiny little love.
For the care placed into these ornaments and utensils, and the inherent risk of a free admission, touching was strictly prohibited -- blasphemous, even. Errant feelers could disintegrate the glasses, breathe a spatula from the Edo period crooked. To further this imperative, the exhibit's management placed little cubes around the artifacts, emblazoned with their most prime directive:
"Do Not Touch". For months, the commandment was followed -- bags held out the way, hands kept at the sides. All aided by the little "Do Not Touch" cubes dotted all over. Congregations came and went in a solemn pride, and no disturbance perturbed what was ordained. It worked.
Until, on one small day in spring, an aberration. It was just after lunch, and Experience Assistant Jo Lightly surveyed the state of the room. Everything from Hokkaido to Kyoto accounted for, safe, sound -- no one had boiled an egg on an obsidian pan -- yet. As she turned a corner onto the forks, a forceful sight planted her to the spot.
A "Do Not Touch" cube had been touched. It was askew. Knocked from its axis. A satellite veering off its orbit, away from the gravity well of the conical spoons and clay teapots. Jo adjusted it, went about her duty, but the sight rattled her so that it followed her home, into her bed, into her dreams and clawed at her soul.
Weeks passed, and the trauma subsided. It was a cube, after all, any old riff-raff can knock a "Do Not Touch" cube sign into a frenzy. Things happen. Life happens! Jo weighed it. What worth is a sleepless night, for one little cube?
Months went, days bled together. Jo forgot -- but, sure enough, one morning, it happened again. Again the next week. Cubes all over, on the floor, inside vases and cabinets. It kept happening, in fact, to the point that Jo had to take medical leave.
Though, as if on the road to Damascus, she went straight to management upon her return.
Jo had an epiphany. "Do Not Touch" signs for the "Do Not Touch" signs. It was genius -- though, costly. However, the exhibit's management had to mull the suggestion. After careful thought, and cautious consultation with several four quadrant focus groups, they arrived at an axiomatic verdict.
Jo got a go-go, and the "Do Not Touch" cubes for the "Do Not Touch" cubes went into effect the following week. Soon, every cube had its pair -- and the aberrations ceased entirely. Order had been restored. As the recent chaos simmered off, a calm settled over Japan House's staff.
What Jo failed to realise, however, was that the two-Do-Not-Touch-cubes-policy sounded off like a shot across the bow. Soon, indignant guests felt insulted by the double insinuation that they were careless. Attendance thinned. Then, redoubled -- an influencer blasted Japan House for its ableist treatment of visitors with the double cube rule.
This new surge, the new generation of the exhibit's visitors, only came ironically. Tinpot newspapers called the trend "rage-cubing". The "Do Not Touch" cube signs were now the target of an orchestrated campaign of abuse -- stolen, thrown, glued together, used to fill up ancient jars. Night staff discovered one cube, tucked away in a corner of the room, that had what was later identified as dried ejaculate all over it. The madness had to stop.
Desperate, hopeless, the management turned to the one person who could help them. Jo Lightly. By this point, she had been promoted to middle management. Her answer was short, sweet -- and, most of all, completely unexpected.
"Triple the cubes."
So it was. The idea was pitched in earnest, but its implementation had an unintended consequence; the triple "Do Not Touch" cube policy was seen as hilariously post-ironic by the rage-cubers. They saw it as another knot in this increasingly pedantic saga. In their eyes, a storied institution finally knelt before the irreverence of the internet. There was a ceasefire. Of course, Lightly received another promotion.
After a few days, though, the rage-cubers' resolve steeled itself against the "Do Not Touch" trinity. They were so resolute, in fact, that the most hardcore rage-cubers branded themselves with the phrase "Do Not Touch". Under the cover of darkness, rage-cubers broke into Japan House -- smuggled their own household items into the exhibition space -- and strategically placed them among the real art. They slipped out, undetected. Their objects went unnoticed by exhibition staff, until Jo Lightly commenced her fortnightly inspection the following week.
Such a dastardly conspiracy to denigrate the exhibit's purity would not go unnoticed by Lightly, and it wasn't. All the wrong items were removed.
Sure enough, though, the fake items would later reappear -- in bigger numbers. Replete with their own "Do Not Touch" cubes, also with untouchable counterparts.
Rapture. The exhibit lost track of which pot was which, whether the La Creuset set was a relic or a bargain. As one would imagine, this tit-for-tat escalated -- "Do Not Place Fake Objects" placards emerged, which, of course, needed their own "Do Not Touch" cubes for protection.
Rage-cubers took the upper hand when they introduced fake placards, which directed visitors to "Place Real Objects". Management worked tirelessly, day and night, to fight back -- alas, it was a war of attrition. Lightly had to bow out, as she had been offered a job in Whitehall.
In the end, the rage-cubers and the exhibitionists reached a stalemate. No one could even tell who was winning, as the space was now too full to enter.
Loving My Strangers - January
There’s a man on the television. He wants to kill me. He’s bright and big, tall and wide. The man lives behind the screen, but sometimes I wonder how much he steps out - rummages through my things and trinkets, tinkers around the flat. He potters about my mind, that’s for sure. I fancied a drink, so I turned the man off and made for Peckham. Through the roads and under the overpass. Streetlights shot through leaves, and the black of the sky was a particularly perfect shade of nothing. The walk was familiar, though tonight I was in a peculiar mood. I’d ducked and dived into many nooks and crannies in London, but today I was going somewhere I knew - one where I knew the exits, and the staff poured the pint before I made it to the bar. One where I wish my ashes could be rubbed into the stale carpet, and thus my spirit would be subsumed into the stench of cheap, imported ale. It was usually a quiet place but tonight it was busy. A regular haunt for the ghosts round here. Pay them no mind, for you’re part of the haunting. I got my pint, headed through to the back - a small smoking area, a couple tables, backed onto Crack Alley.
I liked Crack Alley. It was free entertainment - better than the bread and circuses, for it was a real portrait of the disembodied and disempowered. Drug addicts fought over nonsense, sometimes badly so - and for the admission fee of a pint and a side of a cigarette you could watch the show for free. In their minds, of course, they were battling over cosmic fates - spilled blood and knocked out rotten teeth over bottle caps and scraps. The alley was quiet this night, though. Like they’d flocked somewhere else. Instead, the usual lonely square was abuzz with people. Too many for the small place. I found a corner, and heard two people talk - one with the ruggedness of the East End, and another with the harsh dulcet tones of a Slavic.
“She’s 25 - at home. Why she no work? Why she no leave? It’s - it’s kids-“
“Ya daugh’er?”
“No - my husband’s. He does no - not drink as much anymore, you know, no smoke. He try to tell her: go! Go make mistake, go live. But all she do is-is sit, sit around house. She pretty, she young… He’s a good person. She just - you know, she didn’t turn out.”
“Sounds like mine.”
“You’re - you’re - parent? Father?”
“A boy and a girl. And lemme tell ya somethink, ‘bout girls-“
“Go on.”
“They’re fackin’ psychopaths.”
“Why?”
“She’s - y’know, me son - I can have a laugh with him. He’s lovin’. She just don’t seem to see me-“
“Always different, boys and girls. You good father?”
There was a lull and I got interested. They’d just met - you can tell when two people are trying to feel each other. Tracing the boundaries of a conversation usually illustrates the soul. I was well into my pint, stared at nothing to blend in - and I sank into the words.
“I’d say I was present.”
“Ah! So you … were there?”
“Around, yeah. Y’know - her mather don’t think much of me, but I did my bits. School and that.”
“So… you blame self? You blame yourself for her?”
“My daughter? No - as you said, they don’t turn out sometimes. Don’t mean you’re a bad dad, just means somet’ ain’t right in the mix. That’s all.”
“But, your son?”
“Me son’s a lad. A man, you know. He turned out what I expect in a boy. He’s a man. He’s-“
“Like you?”
“Guess so.”
“And your… daughter?”
“Ain’t a woman.”
A table of young south London ladies, who were just talking about pressing freshies in a Brixton Morley’s, chimed in:
“What’s a woman 'meant' to be?”
“I don’t mean nothin’ by it, y’know, but - I got expectations, for what a man and a woman is. Like, take it this way. Your dad. Right? Your dad - if you seen him cry, right, would you respect him less?”
The table thought. The Slavic woman had nearly finished her Bell’s and Coke, the cheapest mixed drink on the menu. She was stout, with a cherubim face -- though the dark around the eyes told me she didn't sleep too good, maybe kept awake by a specter of something. The man's knuckles were rough, dry cement cracked over the lines of tough skin. Labourer.
"I don't got a dad. And I don't need one." Said one of the girls. The cockney shrugged.
"Well, there ya go -- he ain't a dad, is he? Not a man."
They all talked some more. My pint was waning empty, and my bladder was full with bubbles and beer. I excused myself, as a friendly observer, made myself inside and downstairs to the gents. Kept the door open for an old man. He thanked me as he shuffled inside a stall. It's nice when the old thank the young. I wondered if his grandkids call. Maybe he saw a slither of an estranged one in me. I had a piss. Didn't bother washing my hands, for the moment they touched the door handle they'd be filthy once more. We're too scared of germs, these days -- we should take a note from our ancestors. Roll in the dirt. Tear a bison down with our bare hands. Blood pumping through Howitzer muscles, fangs borne in battle, not for supermarket lunches and stiff pasta.
I returned to the smoking area with a fresh pint. The Cockney and the Slavic were alone now -- they were closer. I took a wet seat. My eyes glazed over to Crack Alley. Someone, on that rain-slicked asphalt, was crouched, fingers pressed into the ground. They groaned something unintelligible, and a smell of sweat and liquor emanated from their ratty brown overcoat. Having lit a sophomore cigarette, I thought of the bars and the boulevards of the Left Bank. Those writers and poets in Paris, lauded for sitting around all day. I'd love to sit around all day. I'd love if people waxed lyrical about me, having my life in print. Maybe this night would be in the memoirs! The hovel that was a home, a portrait of the artist as a young man. As my mind digressed, so did the Cockney and the Slavic.
"I-I drink, yes - he, my husband, he no like. But. I drink."
"Naffink bad about it, coupla pints, no 'arm--"
"Exactly! No harm. You know why I, uh, why I drink?"
"To chill out?"
"The noise."
"Ya what?"
"Noise, noise! You ever had a noise, in head? Buzz-buzz-buzz! Noise?"
"Can't say I has, love."
"Not love, you are not a chauvinist -- you a good man. Present. No, noise. Ringing."
"That sounds like tinnitus."
"Tinni-? No. This come from above."
They spoke some more. Ended up talking about the man in my television. I chose to leave. On the way back I felt lighter, softer. I thought to myself:
Who cares about the man in my television, with friends like these?